Now that Rumi is being talked about again and after that the story of Donald Trump’s small child, this time the story of making/not making a series has increased the frequency of the name of Arjmand Molvi, it is good that two beautiful pieces, which are verses of Let’s hear among the multitude of #Molawi’s poems. Conflicts are always there, and according to Hafez, “the war of seventy-two nations excuses everyone.” Let these quarrels be an excuse to spend a few minutes with verses and words. Minutes in the company of beauty. The two pieces are:
1- Blood splatter and small song:
This amazing album with the music of Khorasan smells like the desert, and the wounded and strong voice of Ibrahim Sharifzadeh next to Gholamhossein Tsaryani’s dotar has such a brilliant mood that it can be said that it is one of the most beautiful lyrics of Saru Khoraman Molana’s Ghazal.
It’s like taking you from the side of the room to the middle of the desert and watching the night sky.
Because of your grace, I am alive!
Listen to it on Soundcloud at this address:
Listen to Saro Khoraman – Khon Pash and Naghme Raz album on #SoundCloud
In the words of dear friend Abdulhasan Mokhtabad, it is a voice that comes from the ages. Cooked and grown and rusty and burnt. It has all the characteristics of a wild and unrestrained voice, but with a lot of impact. It also has scratches and impurities that make it more beautiful.
* The title of this work is a conscious choice of the interpretation of the late Akhwan Al-Talihi for the voice of Gholam Hossein Tsaryani: Bloody blood and small song!
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2- Willow cry album:
Mohammad Reza Lotfi’s three-stringed voice and warm larynx, accompanied by Mohammad Qavi Halam’s tambourine, resulted in an improvisation that is forever beautiful, like the Taj Mahal.
In the middle of this train, day and night
. I am hungover day and night.
A beautiful part of this album in Soundcloud
Listen to the improvisational cry of willow on #SoundCloud
If you get the chance, you should listen to this whole album and see how calmly and tastefully Mohammad Reza Lotfi starts writing until he reaches the beautiful song “Pir Eshgh” (19 minutes and 10 seconds). In Se Gah and Bayat of Isfahan, two pieces have been performed, both of which are beautiful:
Listen to improvisational willow cry on #SoundCloud
*Among the combination of good works and bad taste, one of Mohsen Namjoo’s bad taste was the choice of the title “Med tangerine skin” for one of his albums, as if he intended to mock the very first track in “Greyh Beed”. Of course, when the BBC reporter asked why he chose that name, Namjoo dodged and made excuses, but anyway, this atmosphere is not pleasant for everyone! There are always conflicts. But the beauty of accompanying the word is so much that it washes the heart and soul and takes us away from this dirt farm for a few minutes.
May the wind be like this.
#Today_with_Molvi
@solseghalam
This post is written by monese_ghamgosar